![]() (Atlantic City), but mostly he takes advantage of the gaming-ization of Middle America, moving through the desultory, high-ceilinged spaces of anonymous suburban fun parlors with names like the Golden Nugget. He’s a lonely-man drifter who spends his life driving from one casino to the next, ordering his double whiskeys neat and slipping in and out of the card tables with barely conspicuous purpose. The central character, who goes by the poker-faced pseudonym of William Tell (there’s a good reason he’s hiding his real name), is played with slicked-back silver-black hair and svelte control by Oscar Isaac. A great poker sequence makes you feel like you’re seated at the table, at the heady center of the action, and “The Card Counter” gives you that sensation. ![]() ![]() In “ The Card Counter,” the writer-director Paul Schrader moves into this genre with consummate ease and skill.
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